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CPAGrant_HN_Spring2023.pdfCOMMUNITY PRESERVATION PROJECT APPLICATION COVER SHEET Project Title: Preseruation Assessment of Clothing, Textiles, and Furniture Collections Project Summary: Historic Northampton seeks to conduct a preservation assessment to ensure the long-term preservation of three of Historic Northampton's largest and most locally significant collections-clothing and accessories, household textiles, and furniture. Staff and consultants will assess each item in the collections and their storage conditions. They will perform remedial preservation measures with new housing or recommend conservation treatments. Finally, they will determine the best long term care protocol and write a preservation plan that details optimal storage conditions for each collection. This project is part of ongoing work to preserve and make accessible all of Historic Northampton's approximately 40,000 collection itemt the vast majority of which are locally made or used. Estimated staft date: _71L12023 Estimated completion date:7/1 12025- CPA Program Area (check all that apply): O Open Space O nC( Historic Preseruation $ Community Housing $ Recreation Contact Person and orlprimary applicant: Kelsy Sinelnikov, Collections Manager Propefi Owner (if applicable): Historic Northampton Organization (if applicable): Historic Nofthampton, Inc. Mailing Address: 45 Bridge St., Nofthampton, MA 01060 Daytime phone # :4t3-584-6011 E-mail address & Website: ksinelnikov@historicnofthampton.org, Total budget for project: $274,200 CPA funding request: $128,000 CPA request as percentage of total budget: 47o/o Applicant's Signature : Date Submitted= _2 I 2 I 2023. III: Budget Summary [: Project Information II: Applicant/Developer Information Fax #: 1 Proposal to the City of Northampton Community Preservation Act from Historic Northampton February 7, 2023 Preservation Assessment of Clothing, Textiles, and Furniture Collections Project Summary The purpose of this project is to ensure the long-term preservation of three of Historic Northampton’s largest and most locally significant collections—clothing and accessories, household textiles, and furniture. The scope of this project is for staff and consultants to perform a preservation assessment of each item in these collections. The key steps in the assessment are to: 1. Examine each item individually to assess condition, identify “at risk” objects, and look for potential damaging storage conditions 2. Perform remedial preservation measures with new housing or recommend conservation treatments 3. Determine the best long term care protocol and write a preservation plan that details optimal storage conditions for each collection This project is part of ongoing work to preserve and make accessible all 40,000 items in Historic Northampton’s collection, the vast majority of which are locally made or used. An additional goal is to identify Northampton populations that are underrepresented in our collections, which will influence new collecting and acquisitions. The project location is Historic Northampton’s headquarters in the Damon House at 46 Bridge Street (Parcel ID: 32A-175- 001), Northampton, Mass. Historic Northampton, Inc., is a 501(c)3 organization and owns the property. Background Over the last six years, Historic Northampton has taken steps to improve its collections conditions and preservation. (See Timeline) Our staff, interns, and volunteers have already completed preservation assessments of ceramics, oral histories, archives, exterior shop signs, and agriculture/business items formerly housed in the Shepherd Barn. For our three largest collections, however, we need outside expertise from consultants, a collections assistant, and conservation supplies. We request $128,000 to accomplish this project. Clothing in Storage 2 In 2020, Historic Northampton received a grant from the Collections Assessment for Preservation Program (CAP is sponsored by the American Institute for Conservation) for a two- day site visit from a curatorial and conservation specialist, Bruce MacLeish, who reviewed our collections, storage, and policies. One of his key recommendations was for us to make a preservation assessment of all our collections to determine short and long-term goals for preservation. He emphasized that it is good practice to assess the condition of all collections every five to ten years. MacLeish advised that “it may be most feasible for long-term, collection planning to focus on one sub-collection at a time–women’s clothing, or chairs, for example with an item-by-item historical evaluation and analysis with experts in the respective fields. This will permit learning more about the object and its value to the overall collection.” (CAP Assessment: Buildings and Collections Report, September 2020, p. 20). This year, historical costume specialist Lynne Bassett, who has worked with our collections for many years, echoed Bruce MacLeish’s advice that we evaluate museum collections on a regular basis. She cautioned that “all collections, and especially textiles, are particularly vulnerable” and that “damage from light cannot be undone, so it is important to evaluate light levels in storage, as well as when an object is on exhibition.” She advised that we take remedial steps while assessing collections, stating that “damage from airborne contaminants and acidic storage environments can be mitigated with new appropriate archival housing.” (Jan. 11, 2023 email) While this plan calls for an evaluation of each object, it is important to note that we currently check our collections areas nearly every day and use dataloggers to gather information on environmental conditions continually. Room Climate Reading on EClimate Notebook 3 Description of Three Collections to be Assessed I. Clothing and Accessories (estimate 5,000 objects) Includes men’s, women’s, and children’s clothing, shoes, hats, dresses, shirts, pants, underwear, outerwear, and accessories from the 18th to 21st centuries. The significance of Historic Northampton’s costume collection—the museum’s largest and most culturally significant collection—is well-recognized throughout New England. The percentage of documented garments is high, adding to the richness of potential exhibitions and programming. The collection represents many different people who have called Northampton home, including the wealthy, the working class, European immigrants, children, patients and staff at Northampton State Hospital, veterans, entrepreneurs, business leaders, and students. The collection is particularly strong in late 19th-century women’s dresses and children’s clothing, and many were made locally in a thriving dressmaking industry which employed as many as 100 women and girls. Specifically, three of the 19th- century dresses in the collection were made from silk grown and spun locally. Furthermore, our collecting has not stopped: we recently acquired 20th-century clothing designed and made by Violet Angotti, who operated her business on Green Street for several decades. Because of the specialized nature of the collection, we need to hire a curatorial consultant, and no one is more qualified than Lynne Bassett. Bassett has 40 years of experience working with costume and textile collections, mostly in the Connecticut River Valley, including a time as curator at Historic Northampton (1990- 95). She is widely published, and many Historic Northampton items appear in her publications. Silk Dress, ca. 1840. Made from silk grown and spun in Northampton. Collections of Historic Northampton. Child’s suit, ca. 1875. Collections of Historic Northampton. 4 II. Household Textiles (estimate 1,000 objects) Includes quilts, blankets, sheets, tablecloths, napkins, window coverings from the 18th to 20th centuries. A large portion of this collection is from the 18th and early 19th century and handmade by women in Northampton. Within the collection are more than 50 quilts, with one of the earliest examples being a circa 1787 whole cloth quilt from the Clarke family of Northampton, most likely made by Lydia Cook (1765 - 1815) for her marriage. The backing and batting are made of wool (probably locally produced), which ties the quilt to the region’s agricultural history. Lynne Bassett will act as the curatorial specialist for this assessment. III. Furniture and Furnishings (estimate 1,000 objects) Includes chairs, tables, desks, bookcases, stools, beds, lighting devices, shelves, clocks, chests, boxes from the 18th to 20th centuries. Historic Northampton’s collection of furniture and furnishings includes 200 chairs, 100 tables, and dozens of clocks, desks, beds, cabinets, chests, and other furniture and accessories. Many of these furnishings were made in Northampton, used by local businesses, and were important in the lives of Northampton residents. The collection is particularly strong in examples of early 19th- century chairs. Between 1790 and 1820, Northampton was a growing commercial center which employed a large number of furniture and cabinet makers making high quality pieces. One example is a Windsor chair by Ansel Goodrich (ca. 1773 - 1803) with its original label advertising the craftsmanship of the chairs made in his shop on King Street. Other pieces in the collection have been preserved for their connections to individuals. One of the oldest chairs, for instance, was owned by Sally Maminash (Wangunk/Mohegan/Nonotuck), a well-known itinerant spinner and weaver who lived from 1756-1883 in Northampton. A bench in the collection was used by patients at Northampton State Hospital. Richard Malley, a curatorial consultant, will lead the assessment of the furniture collection. Malley has several decades of experience working with furniture collections in New England museums. Windsor armchair with added rockers. Collections of Historic Northampton. 5 Project Description To be most efficient, the assessment process requires a team of three people to work together: one person to retrieve the items in order, photograph them, and return them to storage; one collection specialist (i.e. Bassett or Malley or staff with review by consultants) to examine the items, assess condition, note concerns, and dictate new information; and a third person to record the information and list follow-up actions. Consultants and staff will decide whether and how rehousing and immediate conservation will take place and whether the item needs a more substantial treatment from an expert. Conservator Rick Kerschner, with whom we’ve worked since 2017, may be called to consult. Depending on the item, the process could take 15 minutes to an hour. It is a detailed process; here are the steps: 1. Move each individual item to a designated work area 2. Record inventory information - object identification number, description, location, provenance, measurements, and note discrepancies 3. Assess condition by looking at stability, signs of deterioration stress, problems with storage (e.g. lack of support, acid migration), damage from pests, or fading from light 4. Perform remedial measures as necessary, such as isolation and freezing of objects to kill moths or mold 5. Perform cleaning as needed 6. Rehouse when required, such as by adding additional support, placing in archival acid- free boxes, added cushioning between furniture or coverings 7. Identify and flag “at risk” items 8. Recommend conservation treatments, with the advice of the consultants 9. Evaluate or reevaluate creation date of object, provenance, significance and update recordkeeping and curatorial assessment 10. Describe optimal new storage environment 11. Add curatorial notes regarding the significance of object, relation to other objects, and interpretation possibilities 12. Create an overall assessment report and recommendations for each collection Project Results In addition to immediate improved collection care and a long-term preservation plan, the project will also result in better intellectual control, public access, and security. Specifically, the project will: Furniture in Storage 6 • Create a current list of collection items and location, which is essential for security and disaster planning • Update records and images, which will improve public and staff access and reduce the wear and tear on the collection by allowing initial searches to take place online • Allow staff to evaluate the strengths and gaps in these collections to plan for future acquisitions and storage, and to identify objects that do not fit within the collections scope • Identify the most meaningful items in the collection to engage with the community and be used to discuss issues such as gender, race, social position, family life, local and national—and even international—economics, labor, and technology. Geography, regionalism, and even the natural and built environments are also aspects of Northampton’s history that can be revealed through a better understanding of the clothing fashions and furniture in conjunction with traditional documentary evidence. Measuring Success Success can be measured very directly. As we attend to individual objects, there will be corresponding updated documentation, assessment notes, and improvements made to individual storage and housing. The overall conditions of the three collections will be improved, and Historic Northampton will have a clear plan for future improvements to facility spaces. Long-term Maintenance Collections care is Historic Northampton’s ongoing work. Staff regularly monitor objects and conditions in storage areas with digital recorders of temperature and humidity. We track and update records as collections are moved within the museum. We contract with a conservator, Rick Kerschner, each year to interpret our climate data and provide quarterly reports, as well as consult on conservation issues as they arise. A Collections Committee, consisting of members from our Board of Trustees and experts in the community, reviews collections forms, processes, and activities. We have a board-approved Collections Policy (updated 2021). While we anticipate that nearly all items will remain in Historic Northampton’s collections, some that do not fit our collections criteria (e.g. not local, poor condition, or greatly altered) may be recommended for a formal, methodical process of deaccessioning. Any item recommended for deaccessioning would require approval of the Collections Committee and Historic Northampton’s Board of Trustees. Removing such irrelevant materials can open up space to ease overcrowded storage conditions or to collect items from underrepresented groups. Children’s clothing collection 7 Community Preservation Criteria This project meets the criteria for historic preservation by using professional services to preserve historical objects significant to Northampton history that would otherwise not be preserved. Historic Northampton staff and consultants will use methods and techniques that are safe for the objects and in keeping with best practice standards for museums. Historic Northampton is the primary organization (along with Forbes Library) which preserves objects of significance to Northampton’s history. The information from this project will enable us to provide improved public access, research, and more collections-focused programs. We instill confidence in the community by caring for the historical objects entrusted to us according to the highest professional standards and practices. Community Need and Service The project will physically preserve the objects of historical significance to Northampton through direct preservation methods for each item, improved housing, location tracking, and identifying conservation and storage needs. It will help to identify groups and periods in Northampton’s history that are underrepresented in the collections. Finally, it will increase the accessibility and knowledge of the collection with updated records available to the public and it will improve the ability to use and access objects for programming and research. Community Support Historic Northampton enjoys broad community support. Our dozens of volunteers range in age from 16 to 92. Our interns have been from all five colleges. Our programs (on site, other locations, and Zoom) reach thousands each year. Almost 300 people participated in the “barn pull” on January 21, 2023, a community event which was covered in all the regional media, including the Boston Globe. We are open to the public during regularly scheduled hours, and we welcome the public to make research appointments if they would like to view specific objects or materials in the collections. Volunteer, Bill Holloway, photographing collections 8 Historic Northampton is a museum for all in Northampton, past and present. One goal of this project is to identify populations not in our collections, which will assist in collections planning and prioritization of acquisitions and programs. We support a content-rich website about Northampton history. Two new sub-sites–History of Slavery and Indigenous Native History– showcase new research on populations previously erased from the historical record. Our collections catalog can also be reached from our website and includes thousands of records and images of objects in our collections. Smith student, Amy Kitmacher, reviewing and cataloging a dress in the collections Pieced quilt, “King David’s Crown,” attributed to Susan Lorinda Brigham (Munroe) Shepherd (1821 – 1897) of Northampton, ca. 1850. 9 Project Team Team Leaders: Kelsy Sinelnikov, Historic Northampton Collections Manager Margy Jessup, Historic Northampton Collections Assistant Lynne Bassett- Clothing and Textile Historian and Consultant • Lynne Bassett has over 40 years of experience working with Connecticut Valley clothing and textile collections, including as Historic Northampton’s curator from 1990 - 1995. Richard Malley - Collections Specialist and Consultant • Richard Malley has over 40 years of experience working with museum collections in New England. He is the former Head of Research and Collections at the Connecticut Historical Society in Hartford, CT. Richard Kerschner - Kerchner Museum Conservation Services • Richard Kerschner is Conservator Emeritus for the Shelburne Museums in Shelburne, Vermont. He has consulted with Historic Northampton for seven years on the design of new storage; monitoring and improving temperature and humidity control in storage areas; climate and modifications; and artifact cleaning and conservation. He will consult as needed for questions related to object conservation. Project Assistant (2-year position, 32 hours a week) • Position to be hired. The person in this position will work under the direction of consultants and the Collections Manager. Duties will include cleaning, documenting, photographing, and rehousing historic objects. The individual will create condition reports to be reviewed by the consultants, assist with maintenance as necessary for the preservation of the collection, and train and manage volunteers and student interns. Historic Northampton Volunteers and Interns • At least four volunteers and two student interns will assist with the project, helping with tasks such as photography, object and storage area cleaning, data entry, and rehousing. 10 Budget Contractor/Item Task Expense Year 1 Expense Year 2 HN Share CPC Request Lynne Bassett Clothing and Household Textiles Collections Assessment $20,000 $20,000 $0 $40,000 Richard Malley Furnishing Collections Assessment $10,000 $0 $0 $10,000 Project Assistant Documentation, Inventory, Rehousing, Assessment Assistance Volunteer supervision $36,000 $36,000 $0 $72,000 Richard Kerschner Conservation Consultation $2,000 $3,000 $5,000 $0 Conservation and Rehousing Supplies (archival boxes, ethafoam, acid-free tissue, muslin, sterlite containers for isolation) Used in rehousing $3,000 $3,000 $0 $6,000 HN Collections Staff Project oversight, Volunteer supervision, Records management $55,000 $55,000 $110,000 $0 Volunteers - Estimated 15 hours per week at $20 per hour Object movement, Photography, Data entry $15,600 $15,600 $31,200 $0 Totals $141,600 $132,600 $146,200 $128,000 Total Projected Project Cost: $274,200 HN Share: $146,200 Total CPA Request: $128,000 Year 1 CPA Request: $69,000 Year 2 CPA Request: $59,000 11 Project Timeline: Collections Preservation Completed or in Process: • Climate control monitoring (2016-present) • Active pest control (2016-present) • Upgrading housing and collection storage on collection by collection basis (2016- present) • Renovated storage and collections processing area in Damon basement (2017) • Blocked windows on Damon second floor to reduce heat and eliminate light (2018) • Collections Assessment for Preservation (2020) an overall assessment of collections storage conditions and records procedures • Renovated archives storage room and inventoried archives (funded by CPA, 2021) • Installed new collection management database software (2021) • Installed custom-made UV shades and black out shades in Damon and Parsons (2021) • Installed new collections shelving on Parsons 2nd Floor and an Inventory (funded by CPA, to be completed in 2023) Summer 2023 • Hire project assistant • Recruit volunteers to assist with data entry, object movement, and photography • Begin assessment of the household furnishings collection in the Parsons House, followed household furnishing stored in the Damon House • Clean objects and complete initial condition assessment • Richard Malley conducts initial site visits and consultation Fall 2023 - Summer 2024 ● Lynne Bassett and the project assistant begin assessment of the clothing collection, with support from HN staff and volunteers ● Proceed with cleaning and rehousing of the clothing and furniture collections ● Data editing, review, and record matching will be ongoing. 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x͘͘ŵĞƌŝĐĂŶ^ƚƵĚŝĞƐ;ĐƵŵůĂƵĚĞͿ͕DŽƵŶƚ,ŽůǇŽŬĞŽůůĞŐĞ͕ϭϵϵϯ xsŝĐƚŽƌŝĂŶ^ŽĐŝĞƚǇŽĨŵĞƌŝĐĂEĞǁƉŽƌƚ^ƵŵŵĞƌ^ĐŚŽŽů͕ϭϵϵϮ x,ŝƐƚŽƌŝĐĞĞƌĨŝĞůĚ^ƵŵŵĞƌ&ĞůůŽǁ͕ϭϵϴϯ WZK&^^/KE>DDZ^,/W^ xƵďůŝŶ^ĞŵŝŶĂƌĨŽƌEĞǁŶŐůĂŶĚ&ŽůŬůŝĨĞ͖^ƚĞĞƌŝŶŐŽŵŵŝƚƚĞĞŵĞŵďĞƌ͕ϭϵϵϳ͕ϭϵϵϵവϮϬϮϮ͘ xŵĞƌŝĐĂŶYƵŝůƚ^ƚƵĚǇ'ƌŽƵƉ x,ŝƐƚŽƌŝĐEĞǁŶŐůĂŶĚ͕ŽƵŶĐŝůDĞŵďĞƌ xdŚĞŵĞƌŝĐĂŶůůŝĂŶĐĞŽĨDƵƐĞƵŵƐ xEĞǁŶŐůĂŶĚDƵƐĞƵŵƐƐŽĐŝĂƚŝŽŶ xŽŶŶĞĐƚŝĐƵƚ>ĞĂŐƵĞŽĨ,ŝƐƚŽƌǇKƌŐĂŶŝǌĂƚŝŽŶƐ Proﬁle Richard Malley is a history and museum professional who brings decades of experience in history museums and heritage organizations, with special emphasis on collections development, research and writing, access, exhibition and collections care functions. Experience CURATOR, WEBB-DEANE-STEVENS MUSEUM, WETHERSFIELD, CT, 2016-2022 Part time position, providing full range of collections services including collections development, cataloging and exhibition functions. HEAD OF RESEARCH AND COLLECTIONS, CONNECTICUT HISTORICAL SOCIETY, HARTFORD, CT, 2009-2015 Oversaw all aspects of collections, including acquisition, cataloging, conservation and access, and stafﬁng. DIRECTOR OF COLLECTIONS ACCESS, CONNECTICUT HISTORICAL SOCIETY, 2007-2009 Oversaw all aspects of on-site and remote access to collections through the Waterman Research Center. ASSISTANT DIRECTOR OF MUSEUM COLLECTIONS AND CURATOR OF TECHNOLOGY, CONNECTICUT HISTORICAL SOCIETY, 1999-2007 Oversaw day-to-day operations of Museum Collections Dept., including research, acquisition, security functions; and development of collections relating to manufacturing, transportation and technology. Served as Project Director of Collections Stabilization Project, 2005-2007. REGISTRAR, CONNECTICUT HISTORICAL SOCIETY, 1990-1999 Responsible for museum collections record keeping and various research, collections development and exhibition functions. CURATOR, THE MARINERS’ MUSEUM, NEWPORT NEWS, VA, 1988-1990 Responsible for collections development, research, exhibition and conservation functions. INSTRUCTOR, COLLEGE OF CONTINUING EDUCATION, HAMPTON UNIVERSITY, HAMPTON, VA, 1986-1988 Instructor for undergraduate history course. Richard C. Malley 9 Springbrook Lane, Simsbury, CT 06070 richcm52@aol.com Home: 860-658-1821 Cell: 860-906-2747 ASSOCIATE CURATOR, THE MARINERS’ MUSEUM, 1985-1988. Responsible for research, planning and installation of temporary and long-term exhibitions. ASSISTANT REGISTRAR, MYSTIC SEAPORT, MYSTIC, CT 1980-1985 Responsible for collections research and record keeping functions. CATALOGER, MYSTIC SEAPORT, 1976-1980 Responsible for processing new collections and conducting collections research. Education Fordham University, Bronx, NY; MA in U.S. History, 1976 Providence College, Providence, RI; BA in History summa cum laude, 1974 Skills Strong historical research, writing and public speaking skills. Committed team player in project environments. Competent computer skills in Microsoft and Mac programs. Related Activities Trustee and Chairman of Curatorial Committee, Railroad Museum of New England Collections Committee, Connecticut River Museum Steering Committee, Coordinated Statewide Emergency Preparedness for Connecticut Research Fellow, G. W. Blunt White Library, Mystic Seaport Historian and Assistant Cemeterian, Old St. Andrews Episcopal Church Professional memberships include New England Museum Association, Association for the Study of Connecticut History, North American Society for Oceanic History and New Haven Railroad Historical and Technical Association References Available upon request 5LFKDUG/.HUVFKQHU 5 6.HUVFKQHU&RQVXOWLQJ//& 6KHOOKRXVH0RXQWDLQ5RDG )HUULVEXUJK9HUPRQW UVNHUVFK#FRPFDVWQHW %ULDQ$GDPV&KDLU -DQXDU\ &RPPXQLW\3UHVHUYDWLRQ$FW&RPPLWWHH 2ĴFHRI3ODQQLQJDQG6XVWDLQDELOLW\ &LW\+DOO0DLQ6WUHHW 1RUWKDPSWRQ0DVV 'HDU0U$GDPV ,DPSOHDVHGWRZULWHDOHWWHUVXSSRUWLQJ+LVWRULF1RUWKDPSWRQŖVPRVWUHFHQW&RPPXQLW\ 3UHVHUYDWLRQ*UDQWSURSRVDOWRLQYHQWRU\DQGDVVHVVWKHLUKRXVHKROGIXUQLVKLQJVFORWKLQJ DQGWH[WLOHVFROOHFWLRQV,KDYHEHHQFRQVXOWLQJRQSUHVHUYDWLRQDQGFRQVHUYDWLRQRI+LVWRULF 1RUWKDPSWRQŖVFROOHFWLRQVIRUıYH\HDUVDQGFDQDVVXUH\RXWKDWWKHFROOHFWLRQVVWDĳDW +LVWRULF1RUWKDPSWRQDUHH[FHOOHQWVWHZDUGVRIWKHLUFROOHFWLRQ7KH\PDLQWDLQWKHKLJKHVW VWDQGDUGVRIFROOHFWLRQVFDUHDQGHQYLURQPHQWDOFRQGLWLRQVIRUFROOHFWLRQVRQH[KLELWLRQDQG LQVWRUDJHQRWDQHDV\WDVNIRUFROOHFWLRQVKRXVHGLQKLVWRULFVWUXFWXUHV ,QYHQWRU\DQGDVVHVVPHQWRIDFROOHFWLRQLVDFULWLFDOıUVWVWHSWRQRWRQO\LQWHUSUHWLQJDQG LPSURYLQJWKHFROOHFWLRQEXWSURSHUO\H[KLELWLQJVWRULQJDQGSUHVHUYLQJLWDVZHOO)URPWKH SUHVHUYDWLRQDVSHFWLWLVFUXFLDOWRıUVWLGHQWLI\WKHPRVWLPSRUWDQWWUHDVXUHVLQWKH FROOHFWLRQVRWKDWUHVRXUFHVFDQEHSURSHUO\WDUJHWHGWRWKHLUFRQVHUYDWLRQDQGSUHVHUYDWLRQ ,WLVDOVRLPSRUWDQWWRGHWHUPLQHZKDWDUWLIDFWVDUHSHULSKHUDOWRWKHFROOHFWLRQVRWKDWWKH\ FDQEHSURSHUO\GHDFFHVVLRQHGWRPD[LPL]HWKHXVHRISUHFLRXVHQYLURQPHQWDOO\FRQWUROOHG VWRUDJHVSDFH 'XULQJP\WHQXUHDV6KHOEXUQH0XVHXPŖV'LUHFWRURI3UHVHUYDWLRQDQG&RQVHUYDWLRQ/\QQH %DVVHWWZDVFRQWUDFWHGWRDVVHVVDQGDGYLVHRQWKHLQWHUSUHWDWLRQRIDYDVWFROOHFWLRQRI FRVWXPHVDQGKRXVHKROGWH[WLOHV6KHZRUNHGFORVHO\ZLWK6KHOEXUQH0XVHXPŖV 2EMHFWV7H[WLOH&RQVHUYDWRUIRUVHYHUDOZHHNVDQGKHUJXLGDQFHZDVFUXFLDOLQDVVHVVLQJ DQGFDWHJRUL]LQJWH[WLOHVIRUDGGLWLRQDOUHVHDUFKFRQVHUYDWLRQWUHDWPHQWDQGHYHQWXDO H[KLELWLRQDQGGHDFFHVVLRQLQJ 7KHPRVWSUHFLRXVREMHFWVDUHXVHOHVVLIWKH\FDQQRWEHIRXQGLQWKHFROOHFWLRQDQGHDVLO\ DFFHVVHGIRUUHVHDUFKLQWHUSUHWDWLRQDQGH[KLELWLRQ'LJLWDOUHFRUGVZLWKLPDJHVJHQHUDWHG GXULQJWKLVSURMHFWZLOOJUHDWO\IDFLOLWDWHVXFKHĳRUWV ,WLVDOVRZLVHWRUHTXHVWIXQGLQJIRUDSURMHFWDVVLVWDQWIRUVXFKLQYHQWRU\DQGDVVHVVPHQW SURMHFWV,KDYHVHHQSURMHFWVJULQGWRDKDOWDIWHUWKHDVVHVVPHQWSKDVHEHFDXVHDOUHDG\ RYHUFRPPLWWHGSHUPDQHQWVWDĳVLPSO\GLGQRWKDYHWKHWLPHWRLPSOHPHQW UHFRPPHQGDWLRQVPDGHE\FXUDWRULDODQGSUHVHUYDWLRQFRQVXOWDQWV7KHSURSHUSURMHFW DVVLVWDQWLVHVVHQWLDOWRDFFHVVDQGRUJDQL]HFROOHFWLRQREMHFWVIRUHĴFLHQWUHYLHZE\WKH H[SHUWVDQGDVVLVWWKH&ROOHFWLRQV0DQDJHULQVHHLQJWKHSURMHFWWKURXJKWRFRPSOHWLRQ ,HQFRXUDJHWKH&RPPXQLW\3UHVHUYDWLRQ$FW&RPPLWWHHWRVXSSRUW+LVWRULF1RUWKDPSWRQŖV HĳRUWVWRLQYHQWRU\FDWDORJDVVHVVSUHVHUYHDQGLQWHUSUHWWKHLUKLVWRULFFROOHFWLRQV ,DOVRUHPDLQDYDLODEOHWR+LVWRULF1RUWKDPSWRQWRDQVZHUTXHVWLRQVDQGDGYLVHRQDQ\ SUHVHUYDWLRQDQGFRQVHUYDWLRQLVVXHVWKDWPD\DULVHGXULQJWKLVSURMHFW %HVW5HJDUGV 5LFKDUG/.HUVFKQHU 6KHOEXUQH0XVHXP&RQVHUYDWRU(PHULWXV )HOORZ$PHULFDQ,QVWLWXWHIRU&RQVHUYDWLRQ )HOORZ,QWHUQDWLRQDO,QVWLWXWHIRU&RQVHUYDWLRQ >ǇŶŶĞĂĐĞŬĂƐƐĞƚƚ ϲϰZŽŶĚĞĂƵ^ƚƌĞĞƚ WĂůŵĞƌ͕DϬϭϬϲϵ ůǇŶŶĞΛůǇŶŶĞǌǁŽŽůƐĞǇ͘ĐŽŵ ;ϰϭϯͿϱϰϰͲϯϬϰϲĐĞůů :ĂŶƵĂƌǇϮϳ͕ϮϬϮϯ ƌŝĂŶĚĂŵƐ͕ŚĂŝƌ ŽŵŵƵŶŝƚǇWƌĞƐĞƌǀĂƚŝŽŶĐƚŽŵŵŝƚƚĞĞ ŝƚǇ,Ăůů ϮϭϬDĂŝŶ^ƚ͕͘ZŽŽŵϭϭ EŽƌƚŚĂŵƉƚŽŶ͕DϬϭϬϲϬ ĞĂƌDƌ͘ĚĂŵƐ͗ /ǁƌŝƚĞƚŚŝƐůĞƚƚĞƌǁŝƚŚĞŶƚŚƵƐŝĂƐƚŝĐƐƵƉƉŽƌƚĨŽƌ,ŝƐƚŽƌŝĐEŽƌƚŚĂŵƉƚŽŶ͛ƐĂƉƉůŝĐĂƚŝŽŶĨŽƌĨƵŶĚƐĨŽƌ ĂƉƌĞƐĞƌǀĂƚŝŽŶĂƐƐĞƐƐŵĞŶƚŽĨŝƚƐĐŽƐƚƵŵĞĐŽůůĞĐƚŝŽŶ͘dŚĞĐŽůůĞĐƚŝŽŶŽĨǁŽŵĞŶ͛Ɛ͕ŵĞŶ͛ƐĂŶĚ ĐŚŝůĚƌĞŶ͛ƐĐůŽƚŚŝŶŐŝƐƚŚĞƐƚĂƌŝŶƚŚĞĐƌŽǁŶŽĨ,ŝƐƚŽƌŝĐEŽƌƚŚĂŵƉƚŽŶ͛ƐĐŽůůĞĐƚŝŽŶ͘/ƚŝƐǁĞůůͲŬŶŽǁŶ ƚŚƌŽƵŐŚŽƵƚEĞǁŶŐůĂŶĚĨŽƌŝƚƐĞǆĐĞůůĞŶĐĞ͕ǁŚŝĐŚŝƐĚƵĞŝŶƉĂƌƚƚŽƚŚĞŚŝŐŚƉĞƌĐĞŶƚĂŐĞŽĨ ĚŽĐƵŵĞŶƚĞĚŐĂƌŵĞŶƚƐǁŽƌŶůŽĐĂůůǇ͘ ůŽƚŚŝŶŐŝƐĂƉŽǁĞƌĨƵůŵĂŶŝĨĞƐƚĂƚŝŽŶŽĨĂŶǇƉĞƌŝŽĚ͛ƐƐŽĐŝĂů͕ĞĐŽŶŽŵŝĐ͕ĂŶĚĞǀĞŶƌĞůŝŐŝŽƵƐ ŚŝƐƚŽƌǇ͕ĂŶĚŽĨĨĞƌƐĂǀĞƌǇƌĞůĂƚĂďůĞĂǀĞŶƵĞŽĨĞǆƉůŽƌĂƚŝŽŶĨŽƌǀŝƐŝƚŽƌƐ͘ŽƐƚƵŵĞĞǆŚŝďŝƚŝŽŶƐ ŝŶǀĂƌŝĂďůǇĂƚƚƌĂĐƚůĂƌŐĞĂƵĚŝĞŶĐĞƐďĞĐĂƵƐĞǁĞĂůůǁĞĂƌĐůŽƚŚĞƐĂŶĚǁĞĂůůĐĂŶŝŵĂŐŝŶĞŽƵƌƐĞůǀĞƐ ŝŶƚŚĞĐůŽƚŚŝŶŐŽĨƚŚĞƉĂƐƚ͘sŝƐŝƚŽƌƐǁŽŶĚĞƌ͗,ŽǁǁŽƵůĚƚŚŽƐĞĐůŽƚŚĞƐŵĂŬĞƵƐĨĞĞů͍,ŽǁǁŽƵůĚ ŝƚĂĨĨĞĐƚŽƵƌŵŽǀĞŵĞŶƚ͍ŽƵůĚǁĞĨƵŶĐƚŝŽŶŝŶƚŚŽƐĞĐůŽƚŚĞƐ͍tŚŽŵĂĚĞƚŚĞƐĞŝƚĞŵƐ͍tŚĞƌĞ ĚŝĚƚŚĞĐůŽƚŚĐŽŵĞĨƌŽŵ͍,ŽǁŵƵĐŚǁŽƵůĚƚŚĂƚĚƌĞƐƐĐŽƐƚĂŶĚŚŽǁǁĂƐŝƚĐĂƌĞĚĨŽƌ͍ůůŽĨ ƚŚĞƐĞƋƵĞƐƚŝŽŶƐŽƉĞŶĚŝƐĐƵƐƐŝŽŶƐĂďŽƵƚůĂďŽƌ͕ƚŚĞůŽĐĂů͕ŶĂƚŝŽŶĂů͕ĂŶĚŝŶƚĞƌŶĂƚŝŽŶĂůĞĐŽŶŽŵŝĞƐ͕ ƐŽĐŝĂů͕ŐĞŶĚĞƌ͕ĂŶĚĞƚŚŶŝĐƐƚƌĂƚŝĨŝĐĂƚŝŽŶ͕ĂƐŽĐŝĞƚǇ͛ƐǀĂůƵĞƐĂŶĚĞƚŚŝĐƐ͕ĂŶĚƐŽĨŽƌƚŚ͘ ƐƚŚĞĨŽƌŵĞƌĐƵƌĂƚŽƌŽĨĐŽůůĞĐƚŝŽŶƐĂƚ,ŝƐƚŽƌŝĐEŽƌƚŚĂŵƉƚŽŶ;ϭϵϵϬʹϭϵϵϱͿĂŶĚĂĨƌĞƋƵĞŶƚ ďŽƌƌŽǁĞƌĨƌŽŵŝƚƐĐůŽƐĞƚƐ͕/ŬŶŽǁƚŚĞĐŽƐƚƵŵĞĐŽůůĞĐƚŝŽŶǁĞůůĂŶĚ/ĐĂŶĞĨĨŝĐŝĞŶƚůǇƌĞǀŝĞǁĂŶĚ ĐŽŵŵĞŶƚŽŶŝƚƐĐŽŶƚĞŶƚƐ͘/ƵƌŐĞǇŽƵƚŽƐƵƉƉŽƌƚƚŚŝƐĨƵŶĚŝŶŐƌĞƋƵĞƐƚĂŶĚŚĞůƉƉƌĞƐĞƌǀĞƚŚŝƐǀĞƌǇ ŝŵƉŽƌƚĂŶƚƌĞŐŝŽŶĂůͶŝŶĚĞĞĚ͕ŶĂƚŝŽŶĂůͶƌĞƐŽƵƌĐĞ͘ dŚĂŶŬǇŽƵ͕ >ǇŶŶĞ͘ĂƐƐĞƚƚ &ĂƐŚŝŽŶĂŶĚdĞǆƚŝůĞ,ŝƐƚŽƌŝĂŶ͕DƵƐĞƵŵŽŶƐƵůƚĂŶƚ